@TNP Krull

@Kestrel Yeah, I dunno. I get putting things out there right away, but I guess I can’t really wrap my head around the idea that an emphasis on writing detracts from the immediacy of the acting. If this was just a MUD, I likely wouldn’t blink, but the game doesn’t wholly feel like a MUD at glance. I just suppose that in a medium where everything is based upon text, the writing involved is what delivers a sense of immersion and delivers that emotional impact.

While yes, I’m not saying that the same can’t be done with a shorter form of writing, but I guess, something feels lost by what feels(to me, in my opinion)when that kind of rule or restriction is put into place. Maybe the word restriction is too harsh of a descriptor. Limiting, I guess.

And if were to really think about it, I think what bothers more is that there feels like there’s a press on having a quick turnaround in poses. I feel something like that would be more anxiety-inducing than whether or not your pose was too wordy

@watno said in Pose Sizes:

@Rinel You didn’t thwack him with a cane or threaten to, so…not normal for you.

She had just talked to Orazio and was extremely tired, and it was a very rare thing for her to threaten violence in a temple. Even Tehom’s. I think she only did it once, and it was over an exceptionally big deal.

@BeetPoet Stressful. Glad you were able to clear things up! I’d rather have a staff that bans than doesn’t.

cheese log

Not quite the cheese log I was looking for, but eh, close enough.

@DrQuinn said in Silent Heaven: Small-town Horror RPG:

-I basically can’t play it due to the whole ‘idle out on grid and bad things happen’ bit. I have kids and I work and so I have constant sudden interruptions even if I have carved out some time to play. And yes, sometimes (too often) those things are so sudden that I don’t even have time to hit the pause button (that I am glad was installed). I have been EXTREMELY lucky that most people are cool and seem to understand that part sucks and have returned me to the hotel room each and every time, but it instills an anxiousness in me OOCly that I really, really dislike. It takes me out of the game. It bleeds into RL in a way I really hate because after dealing with an emergency or any sudden, stressful situation I have to be like oh fuck, I need to run to log into this game and hope something hasn’t happened that I’d need to deal with IC while I was RLing and sit there and hit the buttons and wait to get back to the hotel so I can just sign off.

Having played a bit more, I wanted to come back to this, because it’s starting to really get to me. Ending a scene and logging off can become a 15-20 minute affair as I navigate the rooms to get back to the hotel. It makes it increasingly difficult to justify logging on and finding roleplay when I can’t simply dip out after a little bit. I understand the benefits of it, but it’s an unfortunate roadblock for me. I’d be willing to take a substantial hit to my character, whether in terms of money or skills or anything, to be able to log out wherever.

(I realize you CAN log out wherever but then it feels like an imposition on the kindness of others, just like Quinn said, and that’s even worse.)

@Warma-Sheen said in On PvP and permanent injuries:

The problem is people.

It’s true. My code always works until people start touching it.

I have transferred the grid and theme stuff to Atharia on Ares and fiddled code (mostly my awesome coder did the fiddling when she had time).

CG has been tested and people can now make characters. How I am currently handling character stuff:

While I am in the middle of transferring characters from PennMUSH Atharia to Ares Atharia players who wish to transfer their character (even returning people), or new characters, can go beyond the limitations in CG. I am not restricting how much beyond the CG points limits people can go as long as they are being reasonable about it. Once people stop being reasonable, I will start restricting.

The character transfer process will be:

Roster characters Retired characters Active Characters who are not being done by a player.

Basically, if you want to reach for the stars in your CG stuff, as a returning, new, or current player, now is a good time. I am not concerned about people being overpowered as long as they make sure to let others shine.

The website: https://atharia.net

@Artemis There’s a group of us that’s adapting DnD rules into a post Second Reckoning campaign. One friend is doing a small module to apply to Arx and I’m creating a longer campiagn that’ll probably take place five years after putting Azazel back into his box.

Will it be the same? Nah.

Will it be fun? Probably.

Wait, you all read the books?

@Raeras said in The Lost Realms Discussion:

@tighearna
Genuinely curious question. I’m not extremely familiar with Hobbit/LotR lore and I know it’s not D&D so

I can understand on some level why your policies say to keep romantic rp between the same species but is this primarily aimed at the physical aspect?

Or is this just across the board because it’s not thing at all in the lore? (Again, I can see other reasoning for wanting to keep things separated on the physical aspect)

This is the one at least a few people are going to deliberately flaunt in private scenes, guaranteed, lol.

It’s a problem created by the nature of a MU.

In a work of fiction, the protagonists, deuteragonists, and antagonists are, a lot of the time, people whose circumstances are somehow special. In settings in which things like cross-species reproduction is rare but possible, that’s an easy way of making a “special person”.

In a tabletop game or a small group, your characters are the protagonists of the story, so them being special is not a big deal; you can play a half-elf because, despite being vanishingly rare (which automatically makes you special) there’s a lot more control over who can and can’t be that specific version of special, as there are only about 3-6 protagonists.

MUs, unfortunately, break this by catering to a much, much larger playerbase. Suddenly, if one out of every five characters is a half-elf, then being a half-elf isn’t special because it ceases to be vanishingly rare.

Do I agree with this policy? Ehn, not really. I think once the characters hit the grid they should be able to fall in love and have the lives they choose (if they are rosters, they should probably be played by the same person for a long-enough period of time before they can do things like get pregnant or married or whatever, just to avoid people doing that and then bailing on the character).

This is especially true given that the game has a policy of one character per player, which means the pool wherein you can find someone to play a romantic storyline with is extremely limited. Even aiming high and saying that you’ve got 50 players, lets say you’re playing a Hobbit… but most people are playing Humans or Elves, there’s maybe at BEST another 9 Hobbits on the game. Let’s say your character is bisexual/biromantic, that’s 9 people – once you start eliminating through schedule, chemistry, RP preferences… yeah.

I personally would bend a little and let interspecies relationships just be more common, but that’s just my take. Clearly @tighearna has their own vision for their game, which is how it should be.

Watching players dive hard into not just exploring plot stuff, but also running stuff in order to tie into metaplot you’re real excited about is so fucking fun.

@MisterBoring Whether or not that’s better, I don’t know if it’s practicable. And there are folks that really like that down time between episodes (I like some, just I would prefer that it be a couple of weeks compared to a month or three, again, I know people who prefer the downtime to the episodes, so YMMV).

I think that the only way you could possible get anywhere near even just a couple of weeks between episodes is to have two Storyteller Staffs, because there’s going to be some cooldown time and some administrative ramp-up time on either end of an episode. Even then, I think it would entirely depend on the setting/theme of the game whether the shortest possible downtime is the best option, a medium length, or a long downtime. I think that if you have intense episodes without much time for the players or characters to catch their breath, you’re going to want a medium-long amount of downtime; if you have episodes that meander and have time to catch your breath in the midst, then I think you would want shorter amounts of downtime.

I could see, say, a WWII game that has people at the front (or on alert at the airbase or whatever), needing a month or so between campaigns, to let the characters (and players) breathe and find their new status quo. But I could see a murder mystery game needing much less time between cases (because you’re probably going to get a little bit of investigation time and some breathing room in there, and it isn’t likely to be as life or death all the time as a combat game.

@somasatori said in Installing Arxcode?:

If I recall @Jumpscare did something with Evennia that has a good crafting system. I didn’t roll a crafter on Silent Heaven when I did (Simon was a disgraced med student), but it looked super cool. Maybe that might be compatible?

I could pull out my crafting code and allow you all to shred it to bits.

I’m mired in to-dos, but remind me in about a week and I’ll look into it.